Restless Soul Meets Relentless Boss-Lady

When I die and my ashes are shot beyond Earth’s atmosphere by a colossal space cannon, my virtual tombstone should flash STILL RESTLESS. "Rest In Peace" will never apply

Sandy Asirvatham—known artistically as Sandhya—is a writer, musician, and producer living in Baltimore, although forever a New Yorker at heart. 

After earning a BA and MFA from Columbia University, she worked prolifically for several years as a freelance journalist and young adult nonfiction author, and was twice awarded with a Best Columnist honor by the Maryland Association of Professional Journalists. 

At 33 or so, in the midst of cascading personal crises, she got pulled back into an old childhood dream--and via obsessive study and practice, she willed herself into the role of working jazz pianist and singer. While raising her son, she gigged throughout the mid-Atlantic, with a few choice hits in NYC. 

By her early 40s, she had turned herself into a fledgling composer and lyricist. She produced a collection of originals called MEMOIR (2007)—mini-fictions set to eclectic jazz-pop grooves. Historian/critic W. Royal Stokes named it a Best Jazz Debut in that year’s Village Voice roundup, and Baltimore magazine’s John Lewis said of the artist: 

“….she walks a fine line between singer/songwriter and jazz chanteuse with some Tin Pan Alley in the mix, smartly turning phrases and crafting peculiarly appealing melodies…poetic, personal lyrics richly underscored by her idiosyncratic piano playing and tasteful accompaniment…” 

Later Sandhya  brought a quirky, ambitious personal dream to fruition: MOBTOWN MOON, a genre-defying, fully reimagined homage to Pink Floyd’s THE DARK SIDE OF THE MOON, co-produced by singer-songwriter Ellen Cherry and featuring over 50  Baltimore-based musicians in a crazy blend of styles. The project was hailed by Floyd fans and music journalists all over the world. 

Her skills as an executive producer led to a business partnership with a longtime TV-spot director; during their 3 active years together, they received an Emmy for a cowritten Public Service Announcement. 

Always restless, Sandhya enjoyed the video business but was antsy to get back to her primary arts. She wound down the partnership to concentrate again on writing, and finally finished a book-length memoir that had been ten years in the making. Called PLAY IT BY EAR: AN AMERICAN ANTHEM, it’s a story about using music to heal childhood wounds and forge an authentic identity, set against broad, deep changes in American culture from the 1970s to today. (She is currently seeking publication.) 

In 2018 she began working closely with vocal coach and producer Pete Strobl, and together they are busy completing INNOCENT MONSTER, 10 new original songs that lean further in the direction of art-rock without completely abandoning a jazz sensibility. (Think: sonically somewhere between Fiona Apple & David Bowie, with a bit of Zappa-esque mischief sprinkled on top.)

Despite the necessary interruptions and delays caused by our current global pandemic, Sandhya will beginning releasing new singles from the project in late 2020.

Press

"When it comes to crossing over invisible musical boundaries Sandy Asirvatham is an innovator."

- Michael Buckley, The Capital (Annapolis MD)

“...she walks a fine line between singer/songwriter and jazz chanteuse with some Tin Pan Alley in the mix, smartly turning phrases and crafting peculiarly appealing melodies...poetic, personal lyrics richly underscored by her idiosyncratic piano playing and tasteful accompaniment...” 

— John Lewis, Baltimore Magazine

Outsight Radio Hours interview about Mobtown Moon 2/9/2014 

WLOY interview about Mobtown Moon (with co-producer ellen cherry) 

Smithsonian American Art Museum interview 4/12/2010 

Baltimore Sun 11/6/2008 interview by Sam Sessa